Jerry Bridges published Trusting God in 1991, Transforming Grace in 1993, and The Pursuit of Holiness in 1996. I read all three over ten years ago. They were about as strong as you’ll read from evangelicals. As is typical of those who disobey the biblical doctrine of separation, Bridges falls short in application. If you trust God, you will separate; if God’s grace has transformed you, you will separate; and if you are pursuing holiness, then you will separate. The constituency of Jerry Bridges and Navigators, the parachurch organization he served for many years, would enjoy the squishy softness of his books. People not pursuing holiness would enjoy The Pursuit of Holiness. They could read the book and still not be sure what unholiness might be.
Bridges exposes himself in a recent book, published in 2007, entitled, Respectable Sins: Confronting the Sins We Tolerate. Bridges always has much solid material in his writing. However, what some might call grace and love really is weakness. I can’t tolerate Bridges’ mushiness anymore. It’s not always what he says, but what he doesn’t. A respectable sin we shouldn’t tolerate is mistaking love for syrupy sentimentality. That will stop a pursuit of holiness in its tracks.
I’m especially referring to chapter 17 in Bridges’ book on what he calls the sin of “judgmentalism.” Many evangelicals love the chapter. However, try to find judgmentalism in the Bible—that’s a bridge to nowhere, pun intended. Since judgmentalism isn’t in the Bible, is Bridges guilty of making his own opinion into the commandment of God?
Bridges judges judgmentalism, but how can he do that and not be judgmental?In order to understand sins that we shouldn’t tolerate, well, we’ve got to judge sin. There’s an assumption that we can judge and we should. Not judging would be a sin that we shouldn’t tolerate.
Bridges essentially says that judgmentalism is when we don’t show toleration for disputed practices. What I’ve noticed, however, is that almost everything is disputed now. At one time we were much more sure about what the truth was and its application. And so if it is disputed, which is now about everything, then you’ve got to just agree to disagree and learn to get along, and then not doing that, with the view of Bridges, is judgmentalism. You’ll have to do a lot of getting along. Getting along has become the most important doctrine.
Bridges says that “the sin of judgmentalism is one of the most subtle of our ‘respectable’ sins because it is often practiced under the guise of being zealous for what is right.” Hearing that sentence, you just know that evangelicals are going to love it. Then he gives examples of disputed practices where the sin of judgmentalism is practiced, and comments on each: dress, music, and alcohol. If his book can stop evangelicals and now fundamentalists from being judged in those areas, he might have a bestseller on his hands.
Now as you are reading this post at home, and are judging my tone, I ask “What verse tells you that my tone is wrong?” Aren’t you adding to Scripture if you can’t give me actual text from the Bible that says my take on Bridges’ chapter violates God’s will? Or is it just a feeling that you have? How do you know that feeling isn’t the Holy Spirit convicting you? Are you being judgmental? I think you know, my reader, that you are busy judging all the time. And those to the left of me are judging my tone right now. Tone isn’t even one of Bridges’ “respectable sins.” I’m judging that non-separatist evangelicals liked the chapter on judgmentalism (my spell check says it’s not a word), not for themselves, but for “fundamentalists” who are judgmental. For them at best it explains why they should be free in the areas of dress, music, and alcohol.
Bridges writes a shallow, ultra-superficial section on dress, that if it were almost any other subject, would be dismissed out of hand, but evangelicals so crave this sort of freedom, they suck it up like a strawberry shake. He says (pp. 141-142):
I grew up in the mid-twentieth century, when people dressed up to go to church. Men wore jackets and ties (usually suits and ties) and women wore dresses. Sometime in the 1970s, men began to show up at church wearing casual pants and open-collar shirts. Many women began to wear pants. For several years, I was judgmental toward them. Didn’t they have any reverence for God? Would they dress so casually if they were going to an audience with the president? That sounded pretty convincing to me.
In the next paragraph he observes, “There is nothing in the Bible that tells us what we ought to wear to church. . . . Reverence for God, I finally concluded, is not a matter of dress; it’s a matter of the heart.” What is lacking in this level of analysis is good judgment. Why did men start showing up in casual pants and open-collar shirts? Why did women begin to wear pants? And who were these people? Why did the culture start to change? What was this new emphasis on creature comfort and convenience? Do these changes have no meaning? How much, if at all, should the church be conforming to the spirit of the age?
Bridges’ dealing with all of the subjects in his chapter miss an important aspect of obedience to God’s Word, that is, the application of the principles of Scripture. The Apostle Paul taught the financial support of the pastor in 1 Timothy 5:18 from Deuteronomy 25:4, a verse which teaches the fair treatment of a domestic animal (“Thou shalt not muzzle the ox which treadeth out the corn.”).
Most of Scripture requires application and to make the right application certain truths must exist in the real world. To abstain from corrupt communication, you’ve got to judge what bad words are with no help in the Bible. Regarding dress, Paul ordered the believing women of Corinth to wear their head coverings (1 Cor 11:3-16) without any previous verse of Scripture to authorize that specific practice. If women didn’t wear the head coverings, couldn’t they just warn fellow church members not to participate in the respectable sin of judgmentalism?
Then Bridges moves on to music:
I also grew up in the era of the grand old hymns sung to the accompaniment of piano and organ. It was majestic. To me, it was reverent worship of God. Today, in many churches, the grand old hymns have been replaced by contemporary music, and the piano and organ with guitars and drums. Again, I was judgmental. How could people worship God with those instruments? But the New Testament churches had neither pianos nor organs, yet they managed to worship God in psalms, hymns, and spiritual songs (see Colossians 3:16). I still have a preference for church music sung as we did when I was younger, but it’s just that—a preference—not a Bible-based conviction. It’s true that a lot of contemporary music is shallow and human-centered. But there is much that is as God-honoring and worshipful as our traditional hymns. So let’s avoid being judgmental.
How did Bridges know if the old hymns were grand or majestic? Why are churches replacing them with contemporary music? What’s the difference between the music with piano organ and that with guitars and drums? How does he know that the New Testament churches didn’t have instruments? What verse says that they didn’t use instruments? On what basis does he judge the contemporary music to be God-honoring and worshipful? He is judging that, so what is the basis? He says, “let’s avoid being judgmental,” and yet he’s obviously making his own judgment and criticizing. He’s judging that people have no basis for judgment, so that if they do judge, they are sinning. He’s calling people’s judgment about the contemporary music “sin.” I don’t know if I like his tone. My pursuit of holiness says that I need to judge worship, whether it is acceptable to God, since it is being offered to Him.
Is Jerry Bridges saying that only the words have any meaning in worship, and the music is meaningless? Is music meaningless? Can we use grunge music? What about rap? Is heavy metal fine? Is there any line that Jerry Bridges draws? If so, he’s judging too. I guess some people would think that such pablum as what Bridges writes is significant enough to conclude everyone who judges some worship music to be wrong to be sinning in doing so. We’ve got the thing that we should be the most picky about in the world, our worship of God, and Bridges wants to tamp down that pickyness so that people won’t feel so criticized. God gets disrespected and blasphemed so that men can have fun and feel good—party time at church at God’s expense.
Bridges completes his triumvirate with alcohol, the last of three pets close to most evangelical hearts. He writes:
We have convictions that we elevate to biblical truth on a number of issues. I wrote somewhere that I had finally come to the conclusion that in most instances, the Bible teaches temperance not abstinence. I had to work through that issue also because again I found myself being judgmental when I would see Christians having a glass of wine at a restaurant.
Bridges’ second sentence in that quote I judge to be ridiculous. I wish he had an editor who was a little more judgmental, but I guess that’s what happens when you throw this kind of judgment under the beer truck. The Bible can’t teach both temperance and abstinence. He says that in most instances it teaches temperance. If it teaches abstinence in a lesser number of instances, those instances would be contradicting temperance. His judgmentalism, he testifies, caused him to “work through that issue.” Some people have a hard time working through even simple problems when they are under the influence of one drink of alcohol. If the Bible teaches abstinence even a few times, shouldn’t we judge drinking a glass of wine as disobedience to Scripture? Shouldn’t we applaud that judgment? Now what he’s going to do about it is another thing, but it’s a fine thing to make a judgment.
I understand that there are professing Christians that think that drinking alcohol is acceptable to God. There are many others that believe that alcohol is prohibited by God in the Bible. The ones who understand it correctly, that is, that God forbids alcoholic beverages, really should continue to judge people who are drinking it, despite what Jerry Bridges seems to be trying to do with heavy applause from a large evangelical audience, that with this chapter and the present condition of evangelicalism, will be growing even larger.
Here’s what has happened. Rationalism in the 19th century placed truth under human reasoning. In the 20th century, every person’s opinion stands as his own authority. The only permissible dogma is tolerance. That philosophy now is accepted by many if not most churches. Bridges’ chapter against judgmentalism represents the influence of that philosophy. If you follow what Jerry Bridges writes here, you shouldn’t judge if your church were to have a rock concert, serve alcohol at it, and everybody came in their shorts, t-shirts, and flip-flops. They can call it “worship” ta boot. Evangelicalism already does this and some of the younger fundamentalists are totally kewl with it.
To be effective, Scripture must be applied. To apply God’s Word, Christians must judge. They make decisions based on biblical principles. The most prominent present attack on the Bible in evangelicalism and fundamentalism is against its application. The attack says, “Don’t judge.” It means, “You can’t know how the Bible applies.” God’s Word then loses its authority in many practices of churches and their members.
My recommendation to you is don’t listen to Bridges. Keep applying the Bible and biblical principles to dress, music, and alcohol. Keep judging in those areas.
The breadth of Psalm 98 tells me that God can be and should be worshiped not just with voice or lyrics alone or with voice and instrument combined but also solely with instruments. Here are the words of the psalm:
1 O sing unto the LORD a new song; for he hath done marvellous things: his right hand, and his holy arm, hath gotten him the victory. 2 The LORD hath made known his salvation: his righteousness hath he openly shewed in the sight of the heathen. 3 He hath remembered his mercy and his truth toward the house of Israel: all the ends of the earth have seen the salvation of our God. 4 Make a joyful noise unto the LORD, all the earth: make a loud noise, and rejoice, and sing praise. 5 Sing unto the LORD with the harp; with the harp, and the voice of a psalm. 6 With trumpets and sound of cornet make a joyful noise before the LORD, the King. 7 Let the sea roar, and the fulness thereof; the world, and they that dwell therein. 8 Let the floods clap their hands: let the hills be joyful together 9 Before the LORD; for he cometh to judge the earth: with righteousness shall he judge the world, and the people with equity.
In v. 1 the psalmist calls on his audience to sing a song to God for worthwhile reasons seen in vv. 2-3 and then at the end of v. 9. Everyone is called to praise God, Israel and the rest of the world (vv. 3-4). As we move through here, we can see that God is praised by more than just voice. For instance, in v. 7 the sea is called upon to roar. The sea sings to God in that unique way. And then the floods or streams clap (v. 8a), the hills be joyful together (v. 8b). This passage isn’t calling on people to find the sea or hills to accompany their voice. Each of these—voice, instruments, seas, or streams—separately can praise God.
Certain men allegorize these psalms based upon their New Testament priority. They spiritualize much of the content, leaving the New Testament as the only literal guidebook for worship. And the New Testament doesn’t mention instruments, so churches shouldn’t use them. However, in Ephesians 5:19, the term “making melody” (psallo) means “to pluck on a stringed instrument.” God wants psalms sung, so the psalms are still in play as songs to be sung. Both singing and making melody are to be presented to the Lord, but what about just the “making melody.” I believe Psalm 98 would say “yes.”
I would like to see great musical pieces composed and played for God, offered to Him as worship. It doesn’t have to be the music from a hymn that is sung. It can be music that on its own will praise the Lord. Music that communicates within the nature of the Lord can be used to worship Him. I believe an orchestra even without vocalists can and should play music to God. A soloist can and should play his instrument to the Lord. This justifies becoming a great musician for the Lord not just as accompaniment and with only songs that people may know the words. Great music can and should be written and then played to God. This would be a worthwhile project of a church.
If You’re Not Interested in This, You’re Already Disobeying This
The new man puts on new clothes with his new belt, but he’s not quite ready to walk out the door without these three commands that every new person needs to keep to act like the new man that he is.
First, “let the peace of God rule in your hearts” (v. 15). Whatever decision we happen to have come up in our life, we don’t break the pact of peace that we have with God. “Rule” is in essence ‘to make a decision for you.’ A president has to think about his relations with other countries when he makes decisions. We have to think about our relations with God when we make our decisions. The peace we have with God needs to be what makes our decisions for us. The treaty we signed when we got saved has to rule our decision making process. We chose not to be at war with God any more, so we continue to honor that compact.
This peace with God is the basis for our union with the church. We all get along based on the same peace pact. The body life of a church is a oneness with each other that we get from our oneness from God. We don’t come together based on doing our own thing, but based on what will keep us aligned with God.
How does that command relate to being thankful? When God’s way comes down the pike, we just keep thanking God for it. We’re thankful for this new life that God has given us and we keep thanking God for it. A lack of contentment, unthankfulness, will lead you to go searching for satisfaction outside of God and His people. We keep thanking Him and that’s akin to letting peace with Him rule in our hearts. We didn’t join His church to do our own thing, but to fit together with others who as well want to do what He wants, and are thankful for it.
Second, “let the word of Christ dwell in you richly in all wisdom” (v. 16). That’s to say that God’s Word should control our lives. We look at life through chapter and verse eyes. Scripture has its home in a settled, complete way in us. The parallel of this is in Ephesians 5:18 with “be filled with the Spirit.” Being controlled by the Spirit and by the Word of God are the same thing. The “sword of the Spirit is the Word of God” (Eph 6:17). When God’s Word controls us, we will have the discernment to make right applications to all the various areas of our life, that is, “in all wisdom.”
When you are filled up with God’s Word, you can teach and admonish others one another in the body and then sing to the Lord in psalms and hymns and spiritual songs. You can truly help others and truly worship the Lord in song. What people need to hear is the Word of God and what God wants to hear in praise is the Word of God. Psalms are the Word of God. Hymns and spiritual songs should also be Scriptural.
Since the direction of singing in the Bible is “to the Lord,” then what matters is whether God likes the singing. The Words and the music both need to be scriptural, that is, in fitting with the taste of God, His nature and His standard. We sing among each other as a church, but we sing to the Lord.
Third, “do all in the name of the Lord Jesus” (v. 17). Everything that we do, both verbal and non-verbal, spoken and action, should be consistent with the Lord Jesus Christ. What did Jesus do? What would He have you to do? Don’t have anything you do be something that Jesus wouldn’t do. Honor Him in everything.
Since we’ve put on Christ, we want to make decisions that are at peace with Him, have His Words control us, and only do things that would be consistent with Who He is.
Thoughts about a Few Fine Points in These Verses
Verse 15 — “to the which also ye are called in one body”
I’m mainly wanting to think about what the “one body” is. “Body” is not soteriological, but ecclesiological terminology. “One” is not “one” as in “numeric one,” but “one in unity.” A physical body is one. A church is one. The “one” is about “unity” very much like the “one mind” and the “one mouth” are about unity in Romans 15:6. Colossians 3:15 is not telling us that there is one numeric body. A body, a church, is one through aligning itself with God. The church is where the believers at Corinth realized or experienced the true belief and practice that was peace with God.
We obey God in a church. The church is where we find the oneness that God wants, expects, and requires for believers. God’s peace is not ruling where false doctrine exists and wrong practice occurs.
The “ye” are the church members of the Colossian church to whom Paul was writing. Notice that Paul excludes himself from that group here by saying “ye.” If this was thinking about some mystical body that one enters by faith alone, Paul would need to say “we” in order to include himself in that group. He doesn’t say that. He says “ye.” Each believer allows peace to rule His life through a church. A church is one because the church members submit to the will of God.
Verse 16 — “psalms . . . , singing with grace in your hearts to the Lord”
If a church is not singing the psalms (Psalm 1 through 150), could it be obeying this verse? So a first fine point here is the singing of psalms. That has been the norm in the history of the church. Spurgeon’s hymnbook had a full psalter in the text. His church sang all 150 psalms to various tunes according to the meter of the versification of that psalm. I commend you to return to the singing of the psalms. “You” is plural in v. 16, when Paul writes “in you richly.” The Word of Christ is to dwell in the church, and it in part does so through the psalms. I contend that a church disobeys Colossians 3:16 without implementing a psalter in worship. Some do it out of ignorance, but having read this, that would no longer be the case.
I also want to emphasize that singing in Scripture is “to the Lord.” God is the audience of worship. We sing to Him. That is the only direction of singing in the Bible. For that reason, the music is not a matter of our taste, but God’s taste. “What kind of music does God want to hear?” should be our question. Instead, as influenced by the mainstreaming of Charismaticism into evangelicalism, by the labeling of and acceptance of the Jesus movement as a legitimate revival, and by the reception of the principles of the modern church growth movement, churches now use music that God does not tolerate. The scriptural content of songs, like the versification of the text of the psalms, does not correspond with or harmonize with worldly, fleshly, ungodly tunes. Most forms of music in the world are unacceptable to God. By singing them to God, the people doing so manifest either a blatant self-gratification contradictory to scriptural worship or a woeful lack of discernment.
The Hypocrisy of Contemporary “Conservative” Evangelicalism pt. 2: Dovetailing with ‘Reacquiring a Christian Counterculture, pt. 2′
Not too long ago I had written the first part of an essay entitled “Reacquiring a Christian Counterculture.” It was only part one, but we moved on to another topic here. I post-scripted it with: “I will be continuing this next week, Lord-willing. I want to talk about the way that the scriptural understanding of holiness was forsaken for pragmatic purposes. I will get into the point of reclaiming a Christian culture.” That short paragraph fit nicely with what I was writing at the end of the first of this multi-part post.
I began breaking down Romans 15:15-21 as a choice passage to expose the hypocrisy of conservative evangelicalism. I believe that fundamentalists are also hypocritical as it relates to conservative evangelicals. Someone has mentioned that in the comment section here. How so? They complain about segments of fundamentalism that are revivalistic and man-centered, and yet they seem to turn a blind eye toward the conservative evangelicals who participate in revivalism and man-centeredness. In this regard, I like the comment Art Dunham wrote:
I believe the time has come for us to be independent MEN of God and state the truth whatever the consequence to any affiliation, friendship, or Bible College.
Bravo Art. That’s what we need. We don’t need to move from one big, bad example to another big, bad example. It reminds me of the historic Baptist martyr, Balthasar Hubmaier: “Truth is immortal.”
Back to Romans 15
There are many truths to flesh out of this text in Romans 15, but the first we called to your attention was “instrumentality.” I drew your attention especially to the end of v. 17, the teaching here being that Christ is glorified or worshiped only “in those things which pertain to God.” Paul was ministering as an Old Testament priest, who presented to God his sanctified sacrifices, and he wanted these Gentile converts to be acceptable offerings to the Lord. For this to occur, all of His service must be found within the confines of those things which pertain to God. Things which pertain to men won’t fulfill the goal of glorifying Christ. They are not the instrumentality that God will bless with that result.
I think we should be able to understand how that the things that we use to accomplish the noble goals of glorifying Christ and offering up acceptable sacrifices to God must be those things which pertain to God. It is very much akin to the use of carnal weaponry to attain spiritual ends in 2 Corinthians 10:3-5. Paul didn’t war after the flesh. In the end, that warring wouldn’t even work. As I have read from many different sources through the years, “You will keep them with what you get them.” Carnal weapons can’t succeed in spiritual warfare.
Here’s what happens today. Hard packed, stony, and thorny hearts today don’t want the incorruptible, life-giving seed. The idea is that if we could package that seed in something that those hearts do want or love (zoom to 2:25 on the link), then we could make the seed work. The seed needs a little help. It needs music. It needs entertainment. It needs stage lights or a night club environment. It needs to look like a theater. It needs a trap set. Maybe even some tattoos. It needs syncopation and driving drum beats. It needs the enticement of some hormonally charged boy-girl interaction. It needs the license of personal expression in the hip-hop cap, soul patch, or oversized shirt. It needs stylin’. It needs “dude.” It needs the emotionalism of some rhythm induced hand-waving. It needs the hip, ghetto, graffiti font on the decaying, urban brick background. It needs youtube ads that mimic the twittering hand-held production values of the Blair Witch Project (this defines authenticity). It needs sensuality and things conforming to the world and its fashion (play numbers one and two, you’ll get enough of a sample). These are all things that hard, stony, and thorny ground might be able to relate to or with. Today we might call this missiological or contextualization, you know, just to make it sound like it is spiritual, when it isn’t. The adherents know everything they are doing and the meaning of everything they do, and yet they’ll often say that it is meaningless and can’t be judged. It smacks of the spirit of this age. It pertains to man.
Holiness Pertains to God
To comprehend this more, we should unpack the theological understanding of “those things which pertain to God.” Those things which pertain to God are holy. Holiness is not just moral purity. It is God’s majestic transcendence, His otherness, His non-contingency. Holiness is sacredness, which means it is not common or profane. It is distinct, unique to the attributes and character of God.
The Old Testament term kadesh or the adjective form, qadesh, translated “holy,” is not used just for that which pertains to God. It is used to describe, for instance, the temple prostitutes of pagan religion of strange nations (Deuteronomy 23:17). That means that those prostitutes had qualities that were unique to their gods. The root of the word means “to cut,” that is, “to separate.” Holines is related to consecration. When an item was holy, it was devoted for and only for the worship of the Lord. Items associated with pagan and defiled concepts could not be used in the worship of the Lord. Something that is holy is designated as sacred and was distinct from the profane or common.
The Christian does not look to the world to find worship forms. He looks to scripture. He sees certain qualities of this world system—sensual, carnal, of the spirit of the age, making provision for the flesh. A basic element of Israelite worship was the maintenance of an inviolable distinction between the sacred and the common. They guarded against the sacred being treated as common. While the realm of the holy was conceptually distinct from the world with its imperfections, it could nevertheless operate within the world as long as its integrity was strictly maintained.
Holiness was not and has not been just a separateness from sin. It is a maintaining of distinctions between those things consecrated to God and those that are common. The common may not be sinful, but it is not sacred. God’s name and His worship should not be treated lightly. They should not be brought into association with that characterized by earthliness. Certain aspects of the world are not redeemable as sacred. They were invented by men for men’s passions, to touch his will through the body to influence affections inordinately.
Opponents to holiness today say that worldliness is only a matter of the heart, only an attitude. They fall far short of what scripture says about worldliness. Romans 12:2 commands, “Be not conformed to this world.” “Conformed” is not internal. It is external. 1 Peter 1:14-15 reads:
14 As obedient children, not fashioning yourselves according to the former lusts in your ignorance: 15 But as he which hath called you is holy, so be ye holy in all manner of conversation;
“Fashioning” is external.” “All manner” includes internal and external. Sure, being a friend of the world is internal (James 4:4), but the external manifestations also anger God. That’s why God said through Zephaniah (1:8):
And it shall come to pass in the day of the LORD’S sacrifice, that I will punish the princes, and the king’s children, and all such as are clothed with strange apparel.
He would punish those clothed with strange apparel. In other words, they were appearing like the world, associating themselves in their externals with pagan culture. God didn’t want them fitting in with the world. He wanted a sacred Israel. He wanted to keep a difference between the sacred and the profane.
I believe that the redefining and the dumbing down of holiness comes because of professing believers, maybe unconverted, who want to fit in with the world. They know how to do it. Almost everybody does. The philosophies of the world can be seen in dress, music, art, and more. We can know on the outside what message a particular form is communicating. We know when a man is acting effeminate. We know when a woman is acting masculine. We know a foul word. We know a term, an appearance, and a composition that carries ungodly associations. The conservative evangelicals are using these to reach their desired ends. When they succeed, they say that God was responsible. God was also responsible for giving water to Moses when he struck the rock. That end did not justify the means. And men who drank became carcasses in the wilderness.
Hollywood knows what it is doing with styles. It knows how to play something sensual or sexual. It knows how to target certain human emotions (emotionalism) and carnal passions. Conservative evangelicals imitate them. They offer their adherents the same thing as the world with some Christianity mixed in. This is called syncretism—“worshiping” God and using worldly means. It blurs the dinstinction between the sacred and the common, between God and the world, between the Divine and the worldly.
Limitation to Scriptural Parameters
To accomplish the glory of Christ and an acceptable offering to God, Paul limited himself to Scripture—he would only regulate his audience according to a Divine message (vv. 18-19). To make the Gentiles obedient,” in either “word or deed,” he would not “dare to speak” anything but that which was given Him by Christ. Those were all that were authoritative and authenticated by means of “mighty signs and wonders.”
The Bible wasn’t given to us to read between the lines. Certain actions aren’t forbidden in God’s Word. That doesn’t mean they become our means of accomplishment or a strategy for success. God gave His Word as sufficient to regulate any area of our lives. Even if our own ideas aren’t sinful, they aren’t what He said. Only what He said, when obeyed, will give glory to God.
Conservative evangelicals often expose scripture. However, they are just as guilty as revivalist fundamentalists at looking for non-scriptural techniques to influence believers toward what they believe will be salvation and spiritual growth. Even if they “worked,” they wouldn’t give glory to Christ or be acceptable to God. They would not require faith and so they couldn’t please God. Paul kept just preaching the gospel. He limited himself to the activity God endowed to fulfill His work. We must limit our means if we will glorify Christ and send up that acceptable offering to God.
Reacquiring a Christian Counterculture
We’re to be regulated by Scriptural precept and example. We’re to be distinct from the world. We should have a unique Christian culture. Culture itself isn’t amoral. Many ways that a culture expresses itself are filled with meaning. Some of those expressions may honor God and others may not. God laid out some very detailed laws to distinguish Israel from the rest of the nations on earth. He wants us to be different.
If we’re going to reacquire a Christian counterculture that separates from the world’s culture, however it is expressing itself, we must get a grasp on scriptural holiness. We must understand it, let it influence our affections above indifference, and then choose to be holy as God is holy. Our music, dress, and other cultural expressions will change. They will become distinct from the philosophies of the world and from the spirit of this age. The change will not allow us to fit into the world. The world will also know that we’re different–not just in matters of righteousness versus sinfulness, but in those of sacredness versus profanity.
A Bonus (a comment I wrote under a blog post about Peter Master’s recent article about worldliness).
In the Bible, not once is music directed to men. Never is it said to be for evangelism. Preaching is for evangelism—not music. At the most, unbelievers “see” the worship of believers (Ps 40) and fear. They don’t sway and laugh it up because it is the same stuff they’re accustomed to. As a byproduct the music can teach and admonish, but we would assume that it does so only when it is pleasing to God. And it is more than the words, because of what we see in the psalms again and again, Ps 150 for instance, and then in Col 3:16 (psallo–making melody, which is literally “to pluck on a string”).
Men talk about rich theological content. Let’s just say that we all agree with scriptural content that is befitting of the worship God shows He wants in the psalms. This can’t be an either/or—neither the music or the content justifies the other. The Word of God should regulate the words and the music. When we present it to God using a worldly, fleshly medium, this is the syncretism that Masters is talking about. And the medium truly is the message. The vehicle for conveying the message, the music, must also fit with God’s character.
What we seem to be really talking about here is whether music itself can be worldly, fleshly, make provision for the flesh, relativistic, conform to the world, or be unholy, that is, profane. The world knows what it is doing with music. The world uses certain aspects of the music to communicate all of the above that I listed earlier in this paragraph. The world talks about it in its own descriptions of its music. And we can catch the philosophy behind the music itself in the history of the music.
Jonathan Edwards described genuine Christianity as involving religious affections and not men’s passions. He distinguished the real from the counterfeit by differentiating between affections and passions. Affections differ than passions in that they start with the mind and then feed the will. Passions, on the other hand, begin with the body. Not only are passions not genuine affection but they also harm discernment. What is thought to be something spiritual is actually a feeling that has been choreographed in the flesh.
This is a second premise scriptural argument. It is akin to applying Eph 4:29, which commands believers not to have corrupt communication proceed out of their mouth. Based on some of the comments I’ve read here, certain foul language could not be wrong, because the English words aren’t found in the Bible. This, I believe, is part of the attack on truth part of postmodernism. We can ascertain truth in the real world. We can judge corrupt words. We too can judge when music conforms to the world, fashions itself after our former lusts. We can know when it is that passions are being manipulated by music, that it isn’t joy, but a fleshly feeling that impersonates happiness. It is actually fleshly self gratification.
Much, much more could be said about the relationship of externals and internals in the matter of worldliness. The four books by David Wells could be referred to for those who would want to understand. Evangelicals seem not to recognize the danger of accepting the means pagan culture expresses itself. We blaspheme a holy God, profaning His name, by associating it with these worldly, fleshly forms.
This is a post that I was supposed to write last month. I finally got to it. Read more…
I talked to my son about writing something from his perspective. Here is what he wrote.
Random Thoughts from the Receiving End
Kirk Brandenburg, 17 year old senior at Bethel Christian Academy, El Sobrante, CA
Instrument: Let Them Choose?
Everybody should start with piano. You don’t get to choose piano. It’s an instrument that you can start early (six or seven years old), and it plants your musical life for whatever it may grow to be. Yankee Doodle and I’m a Little Tea Pot are a lot easier to grasp than, “Ok, make your mouth into a tight but not too tight circle then blow with steady air through your lips while they’re buzzing . . . and don’t forget to count.” Piano takes care of counting, reading music (both clefs), and note values; so, when a child has matured enough (nine years and up) to handle another instrument, all the basics are second nature. Having a basic knowledge of the piano is critical for any musician anyway. I am not saying everybody should shoot for concert pianist- just get the basics (two or three years).
Once the basics have been covered, you may want to choose another instrument. It helps a lot when the person playing the instrument chooses the instrument. That way he can look back or be forced to look back at who made the decision. The original plan in my family was for me to play trumpet–we had a trumpet, but I liked the sound (a sound that I was able to strive for) of the trombone better. The original love for the instrument helped me enjoy the instrument; it wasn’t a forced, laborious thing.
It is my opinion that you will never be able to reach your pinnacle in music unless you get professional instruction. Of course you must work with what is available to you, but since everyone should be shooting for the pinnacle, if you have the means, get the lessons. Fortunately, my parents have made the means possible for all of their children and have put music in great importance in our home. I can not begin to tell the benefit I have received from about 17 combined years of professional instruction. Professional instruction gets you to that next level.
In the beginning years, you can save a lot of money by choosing a capable teacher that does not have a big price tag. In my first four years of trombone, I was able to get excellent teaching for my level for a lot cheaper than what the price is now.
Three areas come to mind when choosing a teacher: (1) credentials, (2) capability, and (3) character. When the time comes to choose a teacher, do not be afraid to try around. If you don’t think the teacher can do the job, say no. In my early piano years, I had a teacher I was deathly afraid of. I dreaded going to lessons each week, but I never told my parents. One day after the teacher had slapped my hand for playing a wrong note, my dad and mom knew I was dreading it, so we immediately moved to a new teacher. It was such a relief to want to go to lessons; make sure your child is comfortable with the teacher’s personality. You learn so much more.
One thing that I hate to see is wasted practice time. If you took the average student musician’s real practice time compared to his overall “practicing,” you would probably find that at least half of the time is wasted. I was talking to a world renowned brass instrument repairman here in the Bay Area, and he said he would rather hear 15 minutes of solid practice than an hour of goof-off practice. That always stuck with me, and, although I am guilty of wasting practice time, I always strive to get high octane practicing. High octane practicing includes practicing the hard parts (not “practicing” the easy ones over and over), reading/following the teacher’s notes, not moving on until I have it absolutely perfect, and never brainlessly practicing (always striving for something better). I always have to limit myself in practice sessions because I find that I can spend a full hour on my technique exercises (in trombone) alone!
From a family where every child (4 of them) takes piano and an instrument (trombone for the boy, violin for the three girls), it sounds really, really, really bad at first. Count on it. In fact, if your student is always working on the hard, non polished parts, it almost always sounds bad. In my family, there is an underlying disdain for my trombone practice sessions. My sisters always ask if I am done yet. “Do you think you can practice that when we’re gone?” I tend to repeat (and hopefully perfect) the same technique exercises day after day. Not only can I do a full hours worth of technique exercises, my whole family has the routine memorized, and they often sing it back to me. My trombone playing often must be loud and sounds obnoxious. The same disdain goes for some of the family’s violinists’ practice sessions, but . . . we must suffer through, look like we’re enjoying it, and offer our support. If you decide to have music in your home, be ready to endure very unpleasant sounds.
Guys and Piano
I am a guy and I play piano. I have heard that some people think piano is a feminine instrument, but I strongly disagree. Have you never heard some of the great piano concertos? Beethoven, Tchaikovsky especially? I believe that men have a unique sound on the piano. A sound and style that only they can obtain (I haven’t heard the same unique sound with the flute). I have not only heard this unique sound in my playing compared to the women piano players in our church, but I have heard it in the playing of people like Dr. Thomas Corkish (Pastor, Anchor Baptist Church) and David Ledgerwood (well known hymn arranger). I believe that one of the reasons men sound so girly on the piano is because almost every hymn is arranged girly; men are not even given a chance to make it sound manly. I am so thankful for arrangers like David Ledgerwood and Peter Wright because of the manly arrangements they put out.
Something I also dislike is a women accompanying an all male group. It irks me. I love accompanying our church men’s groups because I can sing (through my playing) in a manly way with the manly song. We recently did an all men’s number in church, and our whole church agreed that it had a special quality.
I have gotten the opportunity to participate in outside-of-church music groups. It is a truly amazing experience. The musical training (especially ensemble training) is unparalleled. I find that when I come back to church everything I play is so much easier, and I know I am able to get a better sound for God. Besides it being good for my training, it is super fun. It gives me another outlet to use my instrument. I cannot describe to you the experience, the emotional lift, that occurs when you come upon an amazing part of music. As you may know, I recently toured Australia and New Zealand with the orchestra I participate in. Our last concert ever as a group was at Avondale Girl’s School in New Zealand. It was a very emotional performance. We knew the music the best we ever had, we knew this was our last performance together as that very group, and our conductor had us in the palm of his hand. We were playing the first movement of Tchaikovsky’s Sixth Symphony, The Pathetique. There is one trombone solo in that symphony (probably the loudest in trombone orchestral literature) that gives me the heebee-jeebees when I play it. The orchestra builds to the climax of the movement, and the trombone solo soars in over the rest of the orchestra; it gives me the goose bumps just thinking about how emotional it is. Some of the orchestra members told me that they cried at these emotional passages, and I admit … my eyes did water. This may all sound weird to you, but emotion is an element that I often see is missing in our church music today. People play their church specials, orchestra parts, etc. like robots. No zeal for the message of the song. Instead of playing with passion just to make beautiful music like I do in the orchestra, I play with passion to communicate a message in church. I learned in the orchestral setting to play with the passion I believe should also be felt in our church music. A heartfelt song is greater praise to God, just like anything we do that is heartfelt is greater praise.
The ensemble experience (especially orchestra) is well worth it. My advice for getting involved in orchestra is to (1) look for the youth symphony of your local professional orchestra or look on the Internet–I know kids who participate in youth orchestras in North Dakota, (2) start early (7th grade)- you work up the chain of advancement. I have now played in a total of four orchestras, and I am trying out for a fifth.
Always Bring It Back to What It Is Really About
The most important thing to do with your instrument is to praise god. Get involved in church music. Our church has a six month schedule for every instrument of every musician in our church. This always keeps me working on something musically for God. Participate in church ministries with your music: nursing home, church orchestra, etc. Always keep in mind why you are playing your instrument. Parents, remind your children why they play. Praising God when you are playing in church should be a given, but if you are playing somewhere else, maybe a secular place, remember who is and should be getting the glory. I make a habit to pray to God before a secular concert or practice that he would receive the praise for what I am about to play. Music is something that we should always have fun with and enjoy, but that must take 2nd place to praising God.
Joey hasn’t been the same, ever since the band leader said it. His little feelies, all mangled and crushed, lie forlorn on the ground. His self-esteem, already needing a stool to mount the flat side of a piece of regular, college-ruled notepaper, now strains to straddle a spaghetti noodle of the angel hair variety. His brow, beaten and bruised, creased with care and worn with worry, resembles a swimming pool on a very windy day. Or perhaps, resembles his bed sheets. That is, before his mother gets around to making it for him.
What, might you ask, has caused Joey such trauma, such trepidation, such total cerebral torture? Well, that is a long story, as you might have guessed, and will take some time to unravel. Feelies are just that way.
In the meantime, Joey continues his daily self-therapy sessions, in his bedroom, alone, with his pillow behind his now nearly twelve-year-old back and his Wii within arm’s reach. His mother rarely disturbs her patient, other than with the ocassional glass of warm milk and plate of chocolate chip cookies. Father has yet to be made aware of his son’s (a.k.a. “my pride and joy”) condition. Joey’s mangled feelies have only been festering for a week so far. Hardly enough time for a man of Joey’s father’s experience to sit up and take note. Besides, he hardly ever visits that end of the house. The TV is clear down in the basement. Read more…
At about the age of six, I couldn’t wait until I could do dishes. Once old enough to wash them, in very little time, I lost that passion. However, my parents never lost their conviction about my participation, even though Sunday dinner dishes stacked like a bad comb over.
I bring dish washing to your attention because it compares with instrument practice as an example. Kids start out wanting to play, so they practice. In less than a year, the newness wears off and they stop practicing. How can you keep them practicing?
The Philosophy behind the Means for Continuing Practice
Before you ever start choosing instruments or playing them, both parents should have their mind made up about why their children will play. This needs to be a dad and mom thing because it is often too tough for one parent. Both parents have to know why.
I’ve talked to a lot of secularists on this and most who I talk to say that you can’t force a child to play an instrument. They imply that it is wrong to do that. They say that the child must want to play. They tell me that your child must have fun with it, that you don’t want to pressure them. If children don’t want to play, these experts say, they shouldn’t have to. I nod my head to that and smile. Read more…
As a band director, a question I’m often asked is, “What instrument should my child play?” There are a few things to consider along with this question — age, physiology, gender, and character. While not “set in stone,” many agree that children should not start playing a wind instrument (woodwind or brass) until they are a little more developed physically. We don’t begin teaching those instruments until the fourth grade. On the other hand, string instruments and piano do not have any potential “dangers” for a young player.
Physiologically, parents and teachers should consider the size of a child’s features that would be involved in playing the instrument. Everyone can overcome difficulties, but most of the time, we do not want unnecessary difficulties for a beginning instrumentalist–there are enough things to overcome without creating more. Read more…
I’ve often got a chuckle out of the titles of Kaiser’s “Toward” books—Toward an Old Testament Theology, Toward Rediscovering the Old Testament, Toward Old Testament Ethics, Toward an Exegetical Theology. You get the picture. Who can go wrong with a title that starts with “Toward.” If someone ever criticizes the content, you have a built-in defense. “I never said I would cover the subject, just toward the subject.” “Well, I stand corrected.” After reading this essay, your children may not grow up to be excellent musicians, but this will help them toward that goal. I think the “toward” title will also excuse the random nature of this post. I’m not going to try to give you any kind of chronological sequence with this. I’m going to move into a kind of stream of consciousness and you will have to organize my outline into a preferred order on your own.
Have Them in a New Testament Church
If your children grow up in the right kind of church, they will be singing three or four times a week in church services. Early on they will be hearing good tunes and reading notes.
Sing During Family Devotions
Music will become more important if you sing at home. If you want worship to be important to your children, then it will be something you’ll do at home. Moses commanded the parents to sing his song in Deuteronomy 34. God expects families to sing. People will who are filled with the Spirit (Ephesians 5:18-19). Your family will become fully informed that praising God is for everywhere. If you don’t sing at home, you’ll leave the worship for the antiseptic confines of church and easily cause your children to disrespect this important activity.
Listen At Home to the Kind of Music You Want Your Children to Play
Be serious about the music you play at home. It should be thoughtful, skilled, and great. You will find some of this among hymn work that is done for Mp3 or CD. You can find plenty of classical music like this. A good way for them to develop the right taste is to give them that taste. One of the best ways to keep from bad music is to fill your life up with good music.
Start Them on Piano
I’m not dogmatic on this, but the piano is your base instrument. I have four children and they’ll each be a different kind of piano player with varied abilities and work intensity and efficiency. Piano has no wind requirements. On the piano, each child can learn the basics of notation, musical language, and theory. Playing notes will no longer be foreign.
Some are against teaching boys piano, because it is too feminine. I respect this as a possibility. Actually, I think that harp is more effeminate than the piano and we all know who played the harp. Piano is a rather indoor type of activity and you will want your sons out getting their hands dirty and straining their muscles with some hard labor. This will not clash with playing the piano. If our men are to be the worship leaders, that is, the leaders of church worship, they need to know music and knowing piano is a great start.
Talk About What Instrument Each Will Play
Early on start talking about the instruments each could play. You tell each of them what the possibilities are. If you have the right kind of music playing around the house and in church, you won’t have them thinking about the trap set or the electric guitar.
I think that certain instruments are more feminine. With all due respect to James Galway, the fife and drums of the War for Independence, and the Army Band, you better be very sure if you let your son play the flute. That should be a consideration, that is, make sure that the instrument fits the child to some degree.
We evaluated each of our children and made the choice for them. When you do this, they will be expecting to get started. You can start talking about how great a player that you think they’ll be.
Get the Best Teachers
I think that the teaching makes the biggest difference as to the quality of your children’s playing. You are going to pay for the best teachers, but you really do get what you pay for. Why even start out on your journey if you aren’t expecting a great ending? It took us awhile to land the string teacher we needed for our oldest daughter, but we finally found a Russian who was once concertmaster for a Soviet Opera. Our daughters go each Monday and Thursday for a half hour each. They progress rapidly.
My son started with a wonderful woman trombonist at the East Bay Center for the Performing Arts. She graduated from Northwestern and gave him a great beginning. For the last two years he has taken from a master teacher, who has helped him go even further, but for much more money.
You will be better off hiring someone who has played well himself, a professional. He also should be able to teach. Those names will surface in your area once you start researching. We like “old-school.” Old school doesn’t pamper children in the lessons. He has expectations from them and will apply pressure. I like to know that my teacher wants something great from me.
My wife started all of our children off on piano, because she is excellent with the fundamentals and enforcing them. When each of them reaches a certain level, he will go to a teacher we pay for lessons. There are many piano teachers out there. You want to be careful just settling on one. Monitor their progress closely and have improvement that you expect. Communicate that to the teacher. If you are not satisfied, you should look into others. The better teacher may be more expensive.
Have a System for Enforcing Practice
I’m going to spend a whole post on this one, but this will make the greatest difference in your children’s musical excellence. Most kids don’t want to practice. You have a great purpose that you believe in, so you must enforce their practice. There is a new philosophy that travels around in secular circles first and now in Christian ones, that is, “it’s got to be fun for the child.” That philosophy is resulting in less music and less skilled music. It hasn’t seemed to affect every culture. The Asians don’t seem to have adopted that “fun strategy” as a whole.
In that separate post, I will tell you how we have enforced practice. I start hearing music practiced every morning at 6:00am. That goes until we leave for school. Then I hear it after school until late in the evening. There is almost always an instrument being played at our house. One hint here. Own a few timers.
Get the Children in Groups
As soon as your children are able, it is good to get them playing in an orchestra or chamber group. They will like playing more, which will help them practice better. Most kids love being in an orchestra. It is fun collaborating with others to make something very nice. We also have this in our church services. Our kids open their instrument cases, get tuned up, and go to the platform every week to play for the Lord in church. This brings more participation and more excellence in music.
Our kids have also benefited from further evaluation of their talents with an orchestra. In each case, the child must audition. Then each plays for his seating. He will be judged each time and given comments. You’ll get a second opinion on how far your child is going. In addition you’ll get the conductor/music director, an assistant conductor, and then coaches. A chamber quartet sits as artists-in-residence at one of our orchestras. The coaches are often some of the best instrument teachers around.
Recitals and Contests
Recitals will put them under pressure when they play. They should be regularly doing solo work in recitals. The contests are even better. We have a contest every year at our own school. We bring in professional players as judges to make comments. Then we have organized a regional contest with another Christian school (the school of Dave Mallinak). They perform more times with further scrutiny and with the encouragement of other young people around them. They can better understand where they stand if they do some comparison with other people.
Our orchestras have concerto contests every year. Dozens enter the contest and they are judged by other professionals. Whoever wins the competition will play his solo with the full orchestra in the last concert of the year.
Make Sure They Have an Instrument
We rented the violins to begin. We bought an inexpensive trombone on Ebay to begin. We got a very old piano for free and we had it repaired for 300 dollars. Now we own a very nice, professional trombone. We own one very, very nice violin and another very nice violin. Only one is now renting, the youngest. Once your children start getting good, you will see the need to buying and maintaining very good instruments. You will hear the difference in the quality.
The Interest and Support of You as a Parent
I love listening to my children play and compete. I love driving them to their lessons. I love shelling out the cash. I love hearing their progress. I love what it has done for our worship of the Lord. I love hearing them practice.
By being at everything and loving it, you will help your children. This isn’t hard for me, because I do love it. Your love must translate also into recognizing when poor practice is being done for various reasons and doing your best to correct it. I’ll tell you more about how to show interest and support in other posts.
I’ll be in North Carolina in a couple of weeks speaking at this conference. Take a look at it over at my blog. If you are around and have the time, come over or down or up to be with us.
I’m not trying to compete with Kent’s credentials. But I do want you to know who’s giving this advice. Jack Hammer says that Kent and I have “gobs of experience.” So, here’s my musical autobiography:
In the fourth grade, my father started me out playing a $25 trumpet in the beginning band at school. I practiced as I was told and in the eighth grade, the band director asked me to move to the baritone. It was while playing the baritone that I began to love instrumental music. As I progressed, I figured out that the tuba wasn’t much different from the baritone, and in my senior year of high school, I learned how to get around on the trombone. We went to Mexico on our senior trip, and the trombone took up less space than a baritone, so I figured out how to play hymns and songs on that.
Through this time, I rarely had professional lessons. As I recall, there were a few summers when the music director at our church (he was good enough to have been a professional) gave me a few lessons. I don’t remember any practice sessions in particular, but I do remember practicing. Read more…
Let me start with credentials. I’m sure there are others with loftier ones, but I have some. I have four children, first, male, 17, then three females, 14, 11, and 7. All of them play two instruments and sing. We don’t sing as well as we play and I’m hoping to work more on that with the last three. Each plays piano, then my son plays trombone and the three daughters play violin. The middle girl plays violin and viola. The oldest three are in symphony orchestras. The oldest two last year played in Young People’s Symphony Orchestra. The third child played in Berkeley Youth Orchestra. The two oldest played this summer at the Sydney Opera House in Australia, featured orchestra in the Australian International Music Festival. My son has been principal trombone of three different orchestras and presently is at YPSO. He has a call-back audition at the San Francisco Symphony Youth Orchestra for later this month. The oldest three play in our church services every Sunday morning and evening. I’m on the board of the two before-mentioned orchestras. My wife teaches piano lessons and each of the four children started with her before moving to another teacher.
Now that you know my credentials, I also want you to know that none of them matter. Read more…
Dust is settling, and we don’t want to get dusty. So, we’ve picked ourselves a new topic that (we hope) you will find interesting. Though we doubt it will get too controversial. But then again, we can always find a way to snatch debate out of the jaws of serenity, now, can’t we…
Anyhow, this month we will discuss teaching music to children. Kent and Jeff have gobs of experience in this, and have much to tell us. So we better all listen. Dave, meanwhile, still plays the piano like a child. So he’ll be listening carefully you can bet.
Our hammers have been pounding for quite some time. Now we’ll settle back into a nice little fireside chat…
Pull up your chairs, get yourself a tall glass of iced tea, put on your chatty face, and prepare to be serenaded.
The central theme of missions, Scripturally, is not the deep burden of God from His love for lost men, but a deeply and more important motiveâ€”His desire to be worshiped.Â It also speaks of why men are saved and what it is to be lost.Â To be lost is to not be able to worship and praise and glorify God, and men are saved to worship and praise and glorify God.Â I know this is no headline, but God, not man, is the center of Godâ€™s universe.Â It is not consistent with a Biblical approach to believe, teach, or practice missions as though man were the central focus of missions. The conclusion is that doxology, that is, glorifying God, is the proper motive of missions; rather than soteriology.
The primary motive of God in the salvation of lost men in Scripture is “for the sake of His name.” There are many verses to back this up, these areÂ just a few:
- 1 Samuel 12:22â€””For the LORD will not forsake his people for his great nameâ€™s sake: because it hath pleased the LORD to make you his people.”
- Isaiah 48:9â€””For my nameâ€™s sake will I defer mine anger, and for my praise will I refrain for thee, that I cut thee not off.”
- Acts 15:14â€””Simeon hath declared how God at the first did visit the Gentiles, to take out of them a people for his name.”
- Romans 1:5â€””By whom we have received grace and apostleship, for obedience to the faith among all nations, for his name:”
- Romans 9:17â€””For the scripture saith unto Pharaoh, Even for this same purpose have I raised thee up, that I might shew my power in thee, and that my name might be declared throughout all the earth.”
There would be no reason for God to save people if He was not doing it for His glory, so that His name would be glorified, so that people would worship Him. God is concerned with the advancement of His glory. The Great Commission is the regaining of the authority of the Lord over all creation. His disciples obey His commission because He has all authority, and, therefore, out of recognition of His authority.
Spurgeon calledÂ Psalm 96Â the “missionary hymn.” The children of Israel knew and were to have known that God had designs for all the children of men. It was always that through Abraham and his descendants God would bless all the families of the earth. No Jew could read this psalm and think that it was Godâ€™s will for them to remain exclusive. They were not to be of the world, but they were in the world, and they were to be multiplying the praise of God among men.
THE MANDATE TO MULTIPLY PRAISE (Psalm 96:1-3)
Sing It (vv. 1, 2a)
We are already being introduced to the evangelistic flavor by the phrase, “all the earth,” as this is the ultimate goal—to have the whole earth worshiping.Â Read more…
Have you wondered recently about what unbelievers think they are singing when they sing Christmas carols?Â A few years ago we had a big family reunion on my wife’s side down in Orlando, FL during the Christmas season.Â We went to Epcot Center there and there was a fabulous Christmas program held that we were able to watch from a distance.Â They had an impressive orchestra and choir and celebrity Christmas reader.Â Many of the songs were the commonly sung Christmas carols.Â It was all very beautiful.Â I remember asking myself:Â “Do they even know what they’re singing?”Â If they did, and the people watching also did, who paid an extra high price to get into the seats, then their lives would be radically different.Â These songs are some of the best songs that we sing.Â And what do they say?
Most of them, when you think about the lyrics, come from the truths found in the Christmas story itself, a story about which Luke 2:33 says:
And Joseph and his mother marvelled at those things which were spoken of him.
Most parents aren’t surprised that they have a unique child.Â They expect it.Â But the things said about Jesus were way above what anyone could possibly comprehend.Â What was said about this wonder child, the Lord Jesus Christ, are also the words to the songs that we sing, and they say:
1.Â Jesus is God
We sing,Â “Joy to the world the Lord is come.” “Yea, Lord, we greet Thee, born this happy morning.” “Come adore on bended knee Christ the Lord.” “Christ by highest heaven adored, Christ the everlasting Lord, veiled in flesh the Godhead see, Hail the incarnate deity, Jesus our Emmanuel.” “Yet in the dark street shineth the everlasting light.”Â We sing, “O come to us, abide with us, our Lord Emmanuel,” which means God with us. “Jesus Lord at Thy birth.” We sing, “The virgin sweet boy is the Lord of the earth.”Â We sing, “Word of the Father, now in flesh appearing.” “How that in Bethlehem was born the Son of God by name.” “God with man is now residing, suddenly the Lord descending.” We sing, “Thou didst leave Thy throne and Thy kingly crown when Thou camest to earth for me.” And we often sing, “And the Father gave His Son, gave His own beloved one.”
Luke 1:35, the end of the verse, calls the child ahead of time, “the Son of God.”Â Matthew 1:23 says ahead of time that the babe will be called “Emmanuel, God with us.”Â Luke 2:11 calls the newborn, “Christ the Lord.”Â Joseph and Mary were hearing that their new child would be God.Â Yes, God.
2.Â Jesus Is a Man
We sing, “Holy infant so tender and mild, word of the Father now in flesh appearing. See Him in the manger lay. Veiled in flesh, the Godhead see. What child is this who laid to rest on Mary’s lap is sleeping,” just like any other baby. “The babe, the son of Mary.” One writer says, “But of lowly birth didst Thou come to earth in greatest humility.” Another says, “He was born of David’s line, offspring of the virgin’s womb, pleased as man with men to dwell, Jesus our Emmanuel.”